2024 №№ 3-4
Pro Present
Stage opening
Marina Tokareva. A Stranger’s Theatre ForeverVadim Shcherbakov. The Artist’s Fate in Russia
Natalya Vitvitskaya. Feeling Sorry for Everyone
Yevgenia Kuznetsova. Because She Called Him That
Mikhail Pashchenko. Eternal Movement: The Nord-Ost Course
Tatyana Kuzovchikova, Vadim Maksimov. Cyrano at Comédie-Française: The Harmony of Traditions
Festivals
Angelina Dyadchuk. To Love the LightMain persons
Maria Khalizeva. In the Presence of CatastropheMaria Lvova. Theater in Our Heads, or The Art of Self-Suggestion
Close-up
Natalya Vitvitskaya. The Butusov School
Experience and reflections
Yelena Yanushevskaya Between Chimera and Mystery: Tribute to EveJamal Al Muner. Storytellers and the Stanislavsky System
Pro books
Natalya Skorokhod. In the Mirror of LettersYelena Gorfunkel. Attempts at Meeting
Alexander Chepurov. Theatre and Spectacles Under Russian Empresses
Alexander Chepurov. Theatre Should Teach With Theatre
Pro memoria
Theátro
Vidmantas Silyunas. The World of Wandering ComediansLyudmila Starikova. On Court Singers, the ‘Comedian’ House at the Smolny Courtyard, and Alexander Sumarokov’s ‘Russian’ Operas. More On the Making of Russian Acting in the 18th Century
Theatre stories
Olga Yegoshina. ‘Nothing Is Impossible for the Theatre Now’Marina Raku. More On the History of the Unfulfilled Joint Projects of Vsevolod Meyerhold and Sergei Prokofiev. Episode Two. A Strange Message from Zinaida Reich: Hypotheses
Studies
Yekaterina Belova, Maria Isplatovskaya. Evolution of Historical Dance in Productions of Soviet ChoreographersYekaterina Morozova. The Path to Bamboo
Ad memoriam
Darya Semyonova. In Memory and Legacy
