2012 №№ 1–2

In Memory of Natasha Kazmina

Speaking: Valery Fokin, Adolph Shapiro, Michael Levitin, Dmitry Krymov

Kama Ginkas, Henrietta Yanovska. “There was this girl, in love with the theatre...”

Kama Ginkas, Henrietta Yanovska. Without Illusions (Excerpt from the forthcoming book)

Correspondence of Alexander Kalyagin with Natalia Kazmina

Natalia Kazmina, Alexei Nikolsky. Dialogue about Censorship

New Theatre, Old Stage

Yelena Gorfunkel. Time and Demons

Dmitry Trubochkin. The Unbearable Heaviness of Fate

Lyudmila Bakshi. Sound-Visual Image in Contemporary Theatre

Marina Tokareva. And All of Them is Dead, Dead ... (They are Buried by Director Konstantin Bogomolov)

Alexander A. Vislov. “The Matter of the State”, or “The Сorpse is Alive”

Theatre's Diary

Alexander A. Vislov. A Naked King

Vadim Shcherbakov. Fake Gold Coins

Vadim Shcherbakov. Average Production

Vera Senkina. All That Circus

Andrew Moguchiy. “Life and the Man for Me are More Important than Art”

Olga Galakhova. A Chorus of Little Tragedies

Ekaterina Kretova. Antiruslan and Antiruslanisty or Method of Glamorous Amateur Activities

Marina Zabolotnyaya. Cruel Girls

Vadim Shcherbakov. A Simple Art

Discussing Schools

Ilya Smirnov. Lapdog with a Diploma in her Teeth

Profession – Critic

The Form of Power or Independent Judgment. The Question Form are Filled by Alexey Bartoshevich, Olga Galakhova, Marina Dmitrevskaya, Grigory Zaslavsky, Alyona Karas, Yelena Kowalska, Rimma Krechetova, Boris Lyubimov, Tatiana Moskvina, Marina Timasheva, Tatiana Shah-Azizova

Master-class

Dmitry Trubochkin. Nikolai Karpov. Biomechanics - Historical Legacy, or Lively School?

Vera Senkina. “Tararabumbia” of Dmitry Krymov – Mystery or a Balagan?

Europe and Russia

Tatiana Gnedovskaya. From the Drama Theatre to The Grand Drama Theatre; From an Ideal Theatre to a Total Theatre (the reformation of German play houses and its results in the times of Weimar Republic)

Scenography

Georgiy Kovalenko. “All Wheels will Spin...” Georgiy Yakulov – Artist-Constructor of “Le Pas d'Acier” Ballet

Sources, Traditions, Rhymes

Elena Polyakova. Bequeath