2019 ¹¹ 1-2
Pro Present
Stage Opening
Elena Gorfunkel. Mr. Roshchin’s Show
Andrey Yuriev. Alarmed by The Glory or A Sermon on ‘Monstrism’
Yuri Kobets. Postflies Reflection or Art of ‘Translation’ Revisited
Olga Yegoshina. David’s Fiddle
Ella Mikhaleva. ‘About Cinema, about Life, about Love...’
Marina Timasheva. Predestination Doctrine-XXI: Experimental Verification
Close up
Slava Shadronov . KLIM: How to Turn a Show Booth into a Temple?
Experience and Reflection
By the Rules of Music. A Conversation Between Vladimir Pankov and Lyudmila Bakshi
Lyubov Boyarskaya. Scenes from Theatrical Life of a Script
Festivals
Natalia Panisheva. A Double Holiday
Anastasia Kazmina . Every Moment
Studies
Pro Books
Maria Luisa Ferrazzi. An Exemplary Monument of International Cooperation
Nadezhda Yefremova. Theatre Begins with Orpheus…
Dmitry Rodionov. Following the Publication of the Sixth Volume of Vladimir Telyakovskiy’s Diaries
Pro Memoria
Theátro
Vidmantas Silyunas. Quenching one’s Thirst or Secrets of a Successful Playwright. Part Two
Stories about Theatre
Marina Svetayeva. Pyotr Tchaikovsky and Drama Theatre
Andrey Yuriev. Introducing A Doll’s House: Performance Reconstruction and Its Reception
Olga Abramova. Hannele at the Point of Her Ascension
Theatre and Prose
Natalia Skorokhod . Nemirovich-Danchenko and Kugel: at the Intersection
Readings from Meyerhold
Yulia Galanina, Oleg Feldman. Meyerhold Working on The Lovers Pantomime 1911–1912
Our Publications
Maria Lvova. To Whom it May Concern. Two Statements about the Moscow Art Theatre Tour of 1922–1924
People, Years, Life
Alexander Kolesnikov. When Operettas Were Written, there Was Uproar in the House