2022 ¹¹ 3-4
Pro Present
Stage opening
Olga Yegoshina. Old Motorcycle, Where are You Rushing Off-Road?
Yevgenia Kuznetsova. Privilege of the Last Word
Ksenia Stolnaya. Honey and Poison of Derisive Fate
Glance at something
Margarita Kozlenkova. Space as the Hero of the Play
Olesya Likhacheva. Theatrical Forms during the COVID-19 Pandemic
Close-up
Galina Kovalenko. Patriarch of British Theatre
Victoria Peshkova. Method of Successive Approximations
Main persons
Maria Khalizeva. Deus ex Machina
Experience and thoughts
Alexei Bartoshevich. Peter Brook, Seeker of Theatrical Universality
Dmitry Trubochkin. Working with Ancient Chorus in the Theatre of XX Century
Pro êíèãè
Nikolai Pesochinsky. Meyerhold. Biomechanics. Slow ReadingDmitry Trubochkin. A Passion for Theatre History: On the Latest Books by A.A. Chepurov
Nadezhda Yefremova. “Sounding the Stage as if it Were Alarm ...”. The Experience of a Collective Monograph about Erwin Piscator
Pro memoria
Theátro
Vidmantas Silyunas. The Path to HarmonySofia Rusakova. Sound Score of Calderón’s Drama Life is a Dream
Anna Lampasova. Ñourt Theatre of Queen Anne of Denmark and the Images of Power in the Masque of The Vision of the Twelve Goddesses
Maria Luisa Ferrazzi. The First Italian Choreographers at the Russian Court. Antonio Rinaldi (Fusano)
Lyudmila Starikova. Dot or Three Dots in the Funeral Detective? (Where the “First Russian Actor” F.G. Volkov is Buried)
Theatre stories
Boris Goldovsky. Demmeni’s SystemKonstantin Cherkasov. The Moscow Art Theatre Production in the Name of Pushkin – Version 2
Elena Strutinskaya. Guillotine on the Soviet Stage in 1931. N.P. Akimov’s Scenography for the Play A Fear
Anastasia Arefieva. «Conspiracy of Feelings». Spanish Cycle of Nikolai Akimov
Violetta Gudkova. Michail Bulgakov. A Play about Soso Dzhugashvili
Our publications
Natalia Balatova. Portrait of Alexei Stakhovich in the Interior of the Moscow Art TheatreYulia Galanina. Love For Three Oranges. Divertimento by Vogak, Meyerhold and Solovyov and Prokofiev’s Opera
