2020 №№ 3-4

Stage Opening

Olga Yegoshina. Blown Horses are Shot Down and Blown Grannies Die all by Themselves

Victoria Peshkova. Sixteen People on a Dead Man’s Chest

Anastasia Arefieva. Нuman as a Torch

Yekaterina Belova, Daria Khohlova. The Winter’s Tale directed by Christopher Wheeldon

Close up

Natalia Scorochod. A Novel as a Way to “Think and Suffer”: Stage Direction of Evgeniya Safonova

Kseniya Stolnaya. By the Mirror

Nadezhda Novikova. Things Are not the Same as They Used to be in Theatre, Guys

Main Persons

Maria Khalizeva. Reflashing the Classics

Anniversaries

Yekaterina Ometsinskaya. Three Ages of the Youth Theatre

Georgiy Prazdnikov. Vladimir Malyshchitsky Theatre

Natalia Staroselskaya. The Master and His Course

Experience and Reflection

Anastasia Ivanova. Growing Up with the Comédie Française Watching Productions of the Tout Public

Searching for a New Stage

Sergei Stakhorsky. Prototext and Metatext in Theatrical Narrative (based on productions of opera classics)

Festivals

Alexei Pasuev. Mundanity of the Absurd

Inna Nekrasova. «Came out to meet him with timbrels…»: Jephthias by Jacob Balde in a Modern Approximation

Vadim Shcherbakov. Half-Shades of the Moscow Art Theatre

Violetta Gudkova. Evil Spirit in the Light of Reason

Theátro

Tatiana Shovskaya. Giacomo Torelli in Venice

Maria Berlova. Lost Treasures: Swedish Court Theaters During Rococo

Our Publications

Letters to Moscow Art Theatre. 1917–1918 Publ. by I. Soloviova and O. Yegoshina

“We know, of course, the main lines and initial elements of his work…” A. Levinson writes about Gordon Craig. Publ. by S. Sboeva

The Letters of Zinaida Reich and Vsevolod Meyerhold. Publ. by V. Ivanov and M. Khalizeva

Studies

Yelena Gorfunkel. The history of a Remark in Thesis

Stories about Theatre

Vladimir Kolyazin. The First Ordeal by Classics. Ibsen

Anna Melovatskaya. Carmen Suite by G. Malkhasyants

Anna Starikova. Andreas Gryphius – the Forgotten Playwright of the German Baroque

Ekaterina Salnikova, Vitaliy Dmitrievsky, Viktor Krutous. On Polysyllabic Spacetimes (Chronotope) of a Theatre Performance