2018 ¹¹ 3-4
Pro Present
Mirror of Stage
Nina Shalimova. Ostrovsky in one’s own words, strokes and colors
Dzhamilya Kumukova. Tsvetaeva’s Romance at the turn of the centuries
Close up
Ksenia Stolnaya. In Search of Eternity
Festivals
Irina Boykova. ‘Youth of the Pushkin’s Theatre in Russia...’
Larissa Kuchanskaya. Dance Macabre or Life after Death in Hell
Alexander Fuks. Calvary for Four
Top Artists
Dialogue about Theatre. Conversation between Lyudmila Bakshi and Heiner Goebbels
Theatre Disputes
Ekaterina Kretova. Everything is Permitted
Anniversaries
Marina Raku. The Three Pillars. Moscow Academic Music Theatre celebrates 100 years
Experience and Reflection
Alexander Chepurov. The Profession of a Theatre Theorist
Natalia Skorokhod. Gorky vs Dostoevsky: once again about ‘karamazovshchina’
Studies
Maria A. Isplatovskaya, Nadezhda N. Shkoda. The Minuet and the Classical Dance
Pro Memoria
Theátro
Vidmantas Silyunas. Quenching one’s Thirst or The Secrets of a Successful Playwright
Elena Dunaeva. On the Russian Perception of Molière
Andrey A. Yuriev. A Doll’s House Staged First: a Reconstruction of the Performance and Its Reception
At the Intersection of Arts
Elena Khaichenko. The Image of Theatre in the Pre-war Decade Literature
Theatre Stories
Vitaly Dmitrievsky. Some Facts from the History of the Children's Theater in the Soviet Russia
Elena Khaichenko. Oh, What a Lovely War! Joan Littlewood – Experience of Creating a Political Musical
Elena Dunaeva. ‘Storms’ in the Central Theatre of Soviet Army
