2021 №№ 1-2

They Pass away...

Lyudmila Bakshi. In Memory of Ilya Epelbaum

Stage Opening

Olga Yegoshina. The Line of Intuition and Feeling

Natalia Skorokhod. At Dodin’s place. The Brothers Karamazov at the Theater of Europe

Ksenia Stolnaya. Lessons of Humanism

Alexander Kolesnikov. An Aggravated Kiss

Violetta Gudkova. Boris by Dmitry Krymov. Poetic Metaphor and Historical Thinking

Classics and Modernity

Yelena Khaychenko. Live Theatre: the Lessons of the English Scene of the last Decade. Dialog with Peter Brook

Main Persons

Dmitryi Trubochkin. Rimas Tuminas: A Sketch of Creative Development

Maria Khalizeva. Harmony of Dissonances

The Running away Space

Lyubov Oves. Buttons in Profile

Lev Dodin. About Inna Gabai

The structure of the action

Victoria Peshkova. Changes in Velikiye Luki

Victoria Alesenkova. “Superfluous director” in the Russian Drama Theatre of Moldova

Grigory Zaslavsky. The “Dead Ahead” Course of the Maly Theatre

Theátro

Natalia Shcherbakova. “Theatre of Harlequin” or Career of the Italian Mask Comedy’s Second Zanni on the Paris Stage and in the Visual Art of France starting from the end of the XVI and throughout XVII Centuries. Part 1.

Anna Starikova. Catharina von Georgien, the Tragedy by A. Gryphius (1655). More on the German Court Theatre

Theatre stories

Yelena Bespalova. Metamorphoses of The Metamorphoses: Midas – the Ballet of the Diaghilev Company

Konstantin Cherkasov. Illusory House. To the History of Construction of Nemirovich-Danchenko’s Musical Theatre Building

Zoya Borozdinova. Laughter through tears. Modern Comedy in the Theatre Repertoire of the Third Reich (1933–1944)

Yekaterina Belova. The Unknown Ballet of Dmitry Bryantsev. Reconstruction Attempt

Experience and Thoughts

Vladimir Kolyazin. Being Tested by Classics. Henrik Ibsen. Part 2. Symphonism as a Directing Principle

Anna Samsonenko. Pavel Orlenev – the First Russian Oswald

Hans Tostrup. Birthday 1898

Andrey Yuriev The Ibsenian post scriptum: Rosmersholm and Crime and Punishment

Our publications

Sergei Tcherkasski. Boleslavsky’s Lessons, or the Stanislavsky System, Set Forth Earlier and More Gaily

Richard Boleslavsky. The First Lesson in Acting: Concentration

Richard Boleslavsky The Second Lesson in Acting: Memory of Emotion. Publ., translation, illustrations selection and commentary by Sergei Tcherkasski
Публикация, перевод, подбор иллюстраций и комментарии С.Д. Черкасского

Isadora Duncan in the Memories of Stefanida Rudneva. Publ. by I.V. Dmitrieva and I.Ye. Sirotkina Opening chapter and commentary by I. Ye. Sirotkina

Studies

Sergei Stakhorsky Discovery in the Structure of the Dramatic Plot