2009 №№ 3–4

New Theatre, Old Stage

Marina Zabolotnyaya. Story of a happy Mask

Yekaterina ryabova. Three Tragedies by Shakespeare in the Theatre of the 2000s: King Lear, Hamlet, Antony and Cleopatra

Tatiana Shakh-Azizova. Why Uncle Vanya?

Yekaterina Kretova. Alban Berg’s Wozzeck Fells Victim to Glamour

Natalia Yakubova. Play Begins and Wins

Vadim Shcherbakov. Zeitlupe

The Year of Grotowski

Grotological. The Editors’ Foreword

Jerzsy Grotowski. Skara Speech

Jerzsy Grotowski. The Theatre of the Origins

Ryszard Cieslak. To Each His Own Method

Zbigniew Osinski. The Grotowski Laboratory

Grotowski cartoons

Vadim Shcherbakov. A remark

Master Class

Adolph Shapiro. My Romance with Gorky. Raptures and Depressions

Vladimir Kolyazin. Peter Stein’s Tasso

Maria Skornyakova. The Mediterranean Road to The Epic Theatre... Strehler and Brecht

The Theatre of the Design

Maria Lipatova. Society of Easel painters (OST) and theatre

Marina Zabolotnyaya. Akimov’s Horses

Origins, Traditions, Rhymes

Oleg Feldman. «O, magical country! There, in the old days…

Yelena Polyakova. The Goodies’ Club in the 1930s Moscow

Sergey Tcherkassky. Stanislavsky and Yoga: an Experience of Parallel Reading

Europe and Russia

Anastasia Arefyeva. The Poetics and Theatricality of the Spanish drama. The Adoration for the Cross by Pedro Calderon

Natalia Ermakova. People’s Malakhy by Mikola Kulish and Les Kurbas