2025 №№ 3-4

Pro present

Stage opening

Ksenia Stolnaya. The Courier: Grace and Sacrifice

Anastasia Voronkova. In the Captivity of Oblomovism

Yelizaveta Borovikova. “None Will Remember You, Nor Us…”

Yevgeniya Kuznetsova. Happiness in Worn-Out Shoes

Yekaterina Ometsinskaya. Romeo and Juliet – Directorial Variations, or Shakespeare for Everyone 

Festivals

Nadezhda Mininkova MELIKHlyundia or the 25th Melikhovo Spring International Theatre Festival 

Anna Shestakova. “Are You Living Well Here?”  

Close-Up

Anastasia Sokolova. The Stanislavsky and Nemirovich-Danchenko Moscow Academic Musical Theatre in Search of New Forms 

Anastasia Voronkova. Demonic Images and Performative Experiences in the Repertoire of Andrei Feskov at the Tovstonogov Bolshoi Drama Theatre 

Experience and reflections

Natalia Nikulicheva. A.S. Demidova’s Method to Develop the Psychic Energy of Actor 

Galina Kovalenko. Tennessie Williams: Trigorin’s Notebook and Treplev’s Dramatic Etude

Glance at something

Viktor Tkachev. Towards a Dossier on Postdrama: Aesthetic Strategies of Human Depersonalisation

Pro books

Dmitry Trubochkin. Genius and the “Memory of the Lineage” 

Vadim Maksimov. Rethinking the Old Anew 

Anton Dyomin. The Key to a Wealth of Treasure  

Natalia Staroselskaya. “Forgotten Traces of Someone’s Depth” 

Pro memoria

Theátro

Irina Klimova. The Brussels Ommegang, the Bliscapov Scene, and the Speelhuysen. On the Problem of Study

Lyudmila Starikova. Who authored the account of the “comedies” witnessed by the Russian envoys in Florence in 1660? 

Тheatre stories

Dilyara Guseinova. Paths and Forms of the Europeanisation of Egyptian Theatre at the Turn of the Nineteenth and Twentieth Centuries 

Olga Markaryan. The Miracle of St. Anthony at the Theater on Ofitserskaya (1906): Tragic and Comic in the Formation of Meyerhold’s Methodology 

Natalia Vagapova. The Moscow Art Theatre Group in Prague: An Attempt at Historical Reconstruction 

Maxim Gudkov. Armoured Train in Meyerhold Style: Production of Vsevolod Ivanov’s Play in California (1930)

Konstantin Cherkasov. And Then There Were None. To the History of the First Production of Semyon Kotko 

Studies

Natalia Isayeva. Director Andrey Lobanov and His Role in the Development of Dramatic Theatre

Vladimir Kolyazin. Around Peter Stein: The Beginnings and Their Antecedents 

Irina Tsymbal. Shakespeare in Sweden 

Ad memoriam

Olga Yegoshina. “A Son Was Born To Me, and His Name Was Mkhat…”  

Appendix