2025 №№ 1-2
Pro Present
Stage opening
Marina Tokareva. “He Paid the Price for Everyone”
Olga Yegoshina. Lessons from Doctor Faustus
Natalia Vitvitskaya. The Trap of Fate
Alexander Maksov. From Lev Ivanov to Yuri Burlaka: The Almost Detective Story of The Nutcracker
Yelena Yanushevskaya. Meaningless Martyrdom or Meaningless Violence?
Yevgeniya Kuznetsova. The Son’s Revenge
Festivals
Lizaveta Borovikova. The Enigma of Love
Anastasia Mokshanikhina. A Found Place
Main persons
Maria Khalizeva. The McBurney Points
Close-up
Fyodr Alatortsev. Sergey Kuryshev – The Face of the Maly Drama Theatre
Mikhail Pashchenko .The Island of Freedom
Experience and reflections
Albert Bondach, Ilya Smirnov. The Hero and His Goddess. On the Possibilities of a Contemporary Interpretation of the Hippolytus
Aleksandr Serenko. Translation of a Foreign Play as the Embodiment of the Director’s Interpretation: Lev Dodin’s King Lear at the MDT – Theatre of Europe
Pro Memoria
Theátro
Marialuisa Ferrazzi. The First Italian Ballet Masters at the Russian Court: Giovanni Antonio Sacco
Theatre stories
Galina Kovalenko. David Rabe’s Vietnam Trilogy
Nadezhda Mininkova. Durylin’s Theatre Criticism
Studies
Stanislav Vasiliev. The Cry in Jerzy Grotowski’s Theatrу System: Akropolis case study
Natalia Vitvitskaya. Interpreting Classical Drama: The Directorial Method of Yuri Butusov
Our publications
Andrey Levinson on the Ballerinas of the Russian School: Karsavina, Trefilova, Spesivtseva. Text, foreword and commentary by Svetlana Sboeva
Публ., предисл. и коммент. С.Г. Сбоевой
From Student Practice: On Directing and Theatre Pedagogy. Text, foreword and commentary by Yelena Gorfunkel
Inna and Kostya. From the History of Theatre Studies. Publication and Foreword by Vadim Shcherbakov
