2016 №№ 3-4

New Theatre, Old Stage

Еlena Gorfunkel. What has been Done Already

Vadim Shcherbakov. Beam of Color

Marina Zabolotnyaya. Wuthering Heights, Utopia

Festivals

Nina Shalimova. Maxim Gorky Onstage: Plays, Themes, Calls and Echoes

Marina Timasheva. Lay Low in Kama River

Nina Shalimova. Russian Estate Space

Alexey Bartoshevich. The Russian Globe in Lithuania

Theatre’s Diary

Andrey Galkin. A Third of The Ondine

Elena Shevchenko. Dom Juan has Already been Written...

Ekaterina Ometsinskaya. Shukshin Who Lacked

Anastasia Razgulyaeva. Class of Young Directors

Portraits and Outlooks

Irina Boykova. Isn’t it Wonderful? But It is That

Andrey Yuriev. The Ibsen Stage Productions in St. Petersburg in the Beginning of the XXI Century

Galina Kovalenko. Translation from American

Master-Class

Peter Stein: Abyss is Nearby

Ludmila Bakshi. New Thoughts about Old Production

Bookshelf

Nikolai Pesochinsky. Director’s Hundreds Reflections

Alexander Vislov. First Princess of the Soviet Stage

Armen Kazaryan, Nina Konovalova. Two Architects of the One Time

Theatre Olden

Nadezhda Efremova. Dramaturgy of Simeon Polotskiy: the first russian school comedy

At the Turn of The Century

Olga Abramova. Hannele’s mystery: the ban and the destiny of Gerhart Hauptmann’s play in the Moscow Art Theatre

Elena Bespalova. The First Opera Decorated by Leon Bakst

Nadezhda Khmeleva. Such Manifold Stage Environment

Theatre and Prose

Natalia Skorokhod. War and Peace: a theatrical biography of the novel by Leo TolstoyExperiments of the Avant-garde

Sergey Eisenstein. Notes Concerning to the Theatre

Marina Zabolotnyaya. A Great and Terrible Falstaff

Russia and Europe

Georgiy Kovalenko. Pavel Tchelitchew’s The Ondine

People, Years, Life

Valery Levental: As soon as the Bolshoi theatre becomes a platform forexperimentation or for some sort of innovation —he becomes pure provincial immediately