2024 №№ 1-2

Pro Present

Stage opening

Olga Kovlakova. Resurrections Without Sermons

Yekaterina Ometsinskaya. Resurrection Guaranteed to the Chosen Ones

Ksenia Stolnaya. Transparent Autumn Sun. Light with Heat

Yekaterina Morozova. Chinese-style Humaneness

Dmitry Rodionov. We May Meet Again… 

Yuliana Bachmanova One Flew Over The Lower Depths

Lizaveta Borovikova. Love Is Like Sugar In the Revolution

Provincial anecdotes

Anastasiya Ivanova. Theatre Game, or Game of Theatre

Aleksey Pasuyev. Childhood Museum from Novy Urengoy 

Mikhail Aseyev. You Do Not Want to Constrict a Theatre Person

Close up

Natalya Vitvitskaya. Lethal Heights Under Black Snow A Flight at the Vakhtangov Theatre

Anastasiya Voronkova. Theatre Productions of Giuliano Di Capua: Carnivalisation of the Documentary Material

Main persons

Maria Khalizeva. Applied Anthropology

Experience and reflections

Viktoriya Kosenko The Role of Intonation in Stage Speech Practice

Pro memoria

Theátro

Vidmantas Silyunas. Love in Lope de Vega’s Theatre

Studies

Irina Gubanova. More on the “First Wave” of Theatre Semiology

Teatre stories

Anastasiya Ilyina. Maeterlinck After The Blue Bird

Kseniya Knyazeva. “An Inspired Twosome”

Dilyara Guseynova. Main features and landmarks of the evolution of Algerian theatre. The role of oral verbal tradition in the formation of theatrical and scenic forms

Anastasiya Kazmina. An Effort to Be Human. The Image of an Artist in Anatoly Efros’ Productions

Sophya Tikhomirova. A Long Way “Through Foul Weathers”, or Veto Post-mortem

Our publications

In Search of “the Most Sweeping publicatios Generalisation”. André Levinson. The Dance and Our Era Publication, preface and commentary by S. Sboyeva

Appendix