2024 №№ 1-2
Pro Present
Stage opening
Olga Kovlakova. Resurrections Without SermonsYekaterina Ometsinskaya. Resurrection Guaranteed to the Chosen Ones
Ksenia Stolnaya. Transparent Autumn Sun. Light with Heat
Yekaterina Morozova. Chinese-style Humaneness
Dmitry Rodionov. We May Meet Again…
Yuliana Bachmanova One Flew Over The Lower Depths
Lizaveta Borovikova. Love Is Like Sugar In the Revolution
Provincial anecdotes
Anastasiya Ivanova. Theatre Game, or Game of TheatreAleksey Pasuyev. Childhood Museum from Novy Urengoy
Mikhail Aseyev. You Do Not Want to Constrict a Theatre Person
Close up
Natalya Vitvitskaya. Lethal Heights Under Black Snow A Flight at the Vakhtangov TheatreAnastasiya Voronkova. Theatre Productions of Giuliano Di Capua: Carnivalisation of the Documentary Material
Main persons
Maria Khalizeva. Applied AnthropologyExperience and reflections
Viktoriya Kosenko The Role of Intonation in Stage Speech Practice
Pro memoria
Theátro
Vidmantas Silyunas. Love in Lope de Vega’s TheatreStudies
Irina Gubanova. More on the “First Wave” of Theatre SemiologyTeatre stories
Anastasiya Ilyina. Maeterlinck After The Blue BirdKseniya Knyazeva. “An Inspired Twosome”
Dilyara Guseynova. Main features and landmarks of the evolution of Algerian theatre. The role of oral verbal tradition in the formation of theatrical and scenic forms
Anastasiya Kazmina. An Effort to Be Human. The Image of an Artist in Anatoly Efros’ Productions
Sophya Tikhomirova. A Long Way “Through Foul Weathers”, or Veto Post-mortem
