2023 №№ 1-2
Pro Present
Stage Opening
Vadim Shcherbakov. A Divine Farce
Ksenia Stolnaya. Turn Your Pupils to Your Soul
Vadim Maximov. A Moor in the Decline of Postmodernism
Ella Mikhalyeva. Nikolai Erdman’s The Suicide at the Vakhtangov Theatre
Yelena Pokorskaya. Dead Souls Defile
Alexander Kolesnikov. The Fate of Outrage
Vladimir Kolyazin. The Tale of the Land of the Monster Zurabaya-Johnny and the Land of Youkali’s Dream
Provincial Anecdotes
Yelena Gorfunkel. A Theatre in a City
Olga Kovlakova. ‘Ekh, Yablochko’
Sofia Shapenko. One Day to Spring
Close up
Galina Kovalenko. Irish Playwrights on the British Stage
Natalia Skorokhod. It’s a Headache: Russians Stage reads Konstantin Steshik’s Plays
Main Persons
Maria Khalizeva. Experiencing Confusion
Yelizaveta Borovikova. What She is Silent About
Experience and Thoughts
Yulia Romashina-Dubrobvitskaya. The One who Managed to Get through Self-Imposed Suffering. Vasily Lanovoy. Roles
Alexei Bartoshevich. Oedipus, Macbeth and You and I
Yevgenia Kuznetsova. Galina Volchek. The Birth of a Director
Pro memoria
Theátro
Anna Starikova. Exceptional Situation, Or Impossibility that Occurred!
Tatiana Shovskaya. Stage Images of The Golden Apple in the Context of Art Techniques of the Epoch
Andrey Yuriev. Friedrich Schiller’s Don Carlos in the Theatrical Mirrors of Russian History
Studies
Yelena Khaychenko. There, Behind the Door… On the Problem of the Evolution of Theatrical Space
Theatre Stories
Olga Yegoshina. ‘A Veil is Torn’
Natalya Tarasova. Aesthetic Principles of Art Deco in Ida Rubinshtein’s Two Phaedras of 1917 and 1923
Yuliya Novokhatskaya. The Problem of Language Reconstruction in the Works of Dario Fo
Leda Timofeeva. Kyogen Actor Nomura Mannojo and His Search for the Sources of Traditional Japanese Theatre
