2010 №№ 1–2

Master Class

Kama Ginkas. Welcome, Tragedy! it's a Long Time Since We Saw You Last. Conversation with Natalia Kazmina

New Theatre, Old Stag

Yekaterina Kretova. The Russian Musical: My Way…

Ilya Smirnov. Children of Helminthal: Conversation Piece in Historical Setting

Natalia Yakubova. The Cult of the Story

Scenography

Victor Beriozkin. Aleksandr Borovsky'

Natalia Gudkova. Stage Lighting as a Means of Artistic Expressiveness in Stage direction in the Second Part of the 19th to the Early 20th Centuries

The Year of Grotowsk

Natella Bashinjagyan. Clay Pigeons

Tomasz Plata. To Be and Not To Be

Malgorzata dziewulska. The Fire-Stealer

Sergei Stoliarov. My Grotowski Myth

Natella Bashinjagyan. By Way of Afterword

Sources, Traditions, Rhymes

Oleg Feldman. «O, magical country! There, in the old days…»

Sergei Tcherkasski. Yogic Elements of the Stanislavsky System

Beatrice Picon-Vallin. On Pre-direction and the New Creative Function of the director

Jacqueline Razgonnikof. On the Beginnings of Stage direction (‘mise en scene’)

Aleksandr Chepurov. Blocking-Out. Towards the History of Forming the Stage Text of a Performance

Catherine Naugrette. ‘L’art de la mise en scene’ by Louis Becq de Fouquiere

Between Russia and Europe

irina Nekrassova. Joan of Arc, Heroine of the French Religious Tragedy of the 16th and 17th Centuries

Maria Berlova. Theatre Wanderings of Baron Armfelt

Aleksandra Varenikova. Twice Amphitryon by Georg Kaiser. Christianization of a Greek Myth