2022 ¹¹1-2
Pro present
Stage opening
Yevgeniya Kuznetsova. Prophecy?
Marina Timasheva. Between Earth and Sky There is a War
Olga Yegoshina. Where are You Racing to, Bird-Troika?
Alexander Kolesnikov Lohengrin. Those Who Have Known Sorrow
Natalia Skîrokhod. Black and White
Anastasia Ivanova. The Forced Molière or Uncoerced Farces
Close-up
Ksenia Stolnaya. All That’s Left
Main persons
Maria Khalizeva. Man is Man’s Avatar
Glance at something
Julia Oseeva. Playlist Drama. Three Productions of the St. Petersburg Stage
Alexander Ushkarev. Online theatre-goer as a Symbol of a New Cultural Reality
Experience and thoughts
Yelena Gorfunkel. The Three Sisters. 1967
Yulia Anokhina. Andrey Tarkovsky’s Hamlet: «The Time is out of Joint…»
Pro memoria
Theátro
Studies
Yelena Khaichenko. The Image of a Stranger in the Irish Drama of the XX–XXI Centuries
Theatre stories
Yelena Bespalova. The Good-Humored Ladies – Ballet of the Diaghilev Company
Our publications
Sergei Tcherkasski. Boleslavsky’s Lessons, as a theatre production performed on a book page
Richard Boleslavsky. The Fifth Lesson in Acting: Observation
Ñåðãåé ×åðêàññêèé. Ïîéäåì äàëüøå, èëè Ñåäüìîé óðîê Áîëåñëàâñêîãî
Memoirs of M.A. Boguslavskaya about A.I. Sumbatov-Yuzhin Publication, Comments by A. Korf
Appendix